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Raquel Welch (born September 5, 1940 in Chicago, Illinois - died Feb 15, 2023) was an American actress, who appeared in the second season of the ABC sitcom Mork & Mindy, as

Captain Nirvana of the Necrotons, in the double length episode Mork vs. The Necrotons.

Biography[]

Welch was born as Jo Raquel Tejada on September 5, 1940 in Chicago, Illinois. She is the first child of Armando Carlos Tejada Urquizo (1911–1976) and Josephine Sarah Hall (1909–2000. Welch was named after her paternal grandmother. Her mother, Josephine Hall, was the daughter of architect Emery Stanford Hall and his wife Clara Louise Adams; she was of English ancestry. Welch has a younger brother, James "Jim" Tejada, and had a younger sister, Gayle Tejada (1943-2020).

The family moved from Illinois to San Diego, California, when Raquel was two years old. Welch attended the Pacific Beach Presbyterian Church every Sunday with her mother. As a young girl, Raquel wanted to perform. She studied ballet from age seven to seventeen but gave it up after her instructor told her she did not have the right figure. At age 14, she won beauty titles as Miss Photogenic and Miss Contour. While attending La Jolla High School she won the title of Miss La Jolla and the title of Miss San Diego – the Fairest of the Fair – at the San Diego County Fair. This long line of beauty contests eventually led to the state title of Maid of California. Her parents divorced when she finished her school years.

Welch graduated with honors from high school in 1958. Seeking an acting career, Welch entered San Diego State College on a theater arts scholarship, and the following year she married her high school sweetheart, James Welch. She got a job as a weather forecaster at KFMB, a local San Diego television station. Because her family life and television duties were so demanding she decided to give up her drama classes. After her separation from James Welch, she moved with her two children to Dallas, where she made a "precarious living" as a model for Neiman Marcus and as a cocktail waitress.

Welch initially intended to move to New York City from Dallas, but moved back to Los Angeles in 1963 and started applying for roles with the movie studios. During this period of time, she met one-time child actor and Hollywood agent Patrick Curtis who became her personal and business manager. They developed a plan to turn Welch into a sex symbol. To avoid typecasting as a Latina, he convinced her to use her husband's last name.

Through her first marriage, Welch is the mother of Damon Welch (born November 6, 1959) and actress Tahnee Welch (born Latanne Rene Welch, December 26, 1961).

Filmography (Partial)[]

Film[]

Year Title Role Notes
1964 A House Is Not a Home Call Girl
1964 Roustabout College Girl Uncredited
1966 Fantastic Voyage Cora Peterson First film under contract to 20th Century Fox
1966 One Million Years B.C. Loana
1967 Fathom Fathom Harvill
1968 Bandolero! Maria Stoner
1969 100 Rifles Sarita
1970 Myra Breckinridge Myra Breckinridge
1971 Hannie Caulder Hannie Caulder
1972 Bluebeard Magdalena
1973 The Last of Sheila Alice Wood
1973 The Three Musketeers Constance Bonacieux Golden Globe Award for Best Actress – Motion Picture Comedy or Musical
1974 The Four Musketeers Constance Bonacieux
1975 The Wild Party Queenie
1976 Mother, Jugs & Speed Jennifer a.k.a. "Jugs"
1977 The Prince and the Pauper Lady Edith Also known as Crossed Swords
1998 Chairman of the Board Grace Kosik Nominated: Golden Raspberry Award for Worst Supporting Actress
1999 Get Bruce Herself Documentary
2001 Legally Blonde Mrs. Windham-Vandermark
2001 Tortilla Soup Hortensia
2006 Forget About It Christine DeLee
2017 How to Be a Latin Lover Celeste Birch

Television[]

Year Title Role Notes
1964-1965 The Hollywood Palace Billboard Girl Season 1 Regular
1964 The Virginian Saloon Girl Episode: "Ryker"
1964 McHale's Navy Lt. Wilson Episode: "McHale, the Desk Commando"
1964 Bewitched Stewardess Episode: "Witch or Wife" (S01EP09)
1964 The Rogues Miss France Episode: "Hugger-Mugger, by the Sea"
1965 Wendy and Me Lila Harrison Episode: "Wendy Sails in the Sunset"
1965 The Baileys of Balboa Beverly Episode: "Sam's Nephew"
1979 Mork & Mindy Captain Nirvana Episode: "Mork vs. the Necrotons"
1982 The Legend of Walks Far Woman Walks Far Woman TV MovieBronze Wrangler for Fictional Television Drama
1987 Right to Die Emily Bauer TV MovieNominated: Golden Globe Award for Best Actress – Miniseries or Television Film
1988 Scandal in a Small Town Leda Beth Vincent TV Movie
1989 Trouble in Paradise Rachel TV Movie
1993 Tainted Blood Elizabeth Hayes TV Movie
1993 Torch Song Paula Eastman TV Movie
1993 Evening Shade Cynthia Gibson Episode: "Small Town Girl"
1995 Lois & Clark: The New Adventures of Superman Diana Stride Episode: "Top Copy"
1996 Sabrina the Teenage Witch Aunt Vesta Episode: "Third Aunt from the Sun"
1997-2000 Spin City Abby Lassiter Episodes: "Porn in the U.S.A.", "A River Runs Through Me", "Balloons over Broadway"
2002 American Family Aunt Dora Season 1 Semi-Regular
2004 8 Simple Rules Jackie Episode: "Vanity Unfair"
2008 Welcome to The Captain Charlene Van Ark Series Regular
2012 CSI: Miami Vina Navarro Episode: "Rest in Pieces"
2013 House of Versace Aunt Lucia TV Movie
2015 The Ultimate Legacy Miss Sally May Anderson TV Movie
2017 Date My Dad Rosa TV series

Mork & Mindy[]

Raquel Welch's appearance on Mork & Mindy is both famous and infamous. Resulting from ABC-TVs intent to increase the T&A / 'jiggle factor' in their shows (lending the 2nd season of the show an even more uneven feel), Welch, Broadway star and dancer, Vicky Frederick (of Dancin' and A Chorus Line fame), and Playboy Playmate of the Year Debra Jo Fondren were brought in to play Nirvana, Sutra and Kama, members of the Necroton Black Army, the Orkan's nemeses

While Frederick and Fondren are remembered fondly by the cast and crew of the show, the same cannot be said of Welch's appearance. Cast as Captain Nirvana, the leader of the expedition to find Mork, extract his knowledge of Earth and make the call whether to invade or destroy the planet, Welch reportedly caused disruption both prior to and through the shoot.

Gary Marshall recounted how, on her first day at work on the show he went to visit her and "I asked Raquel if there was anything I could do for her. She startled me when she she said, 'Buy me a television.'. I of course wanted to make her as happy as possible, so I bought it for her. I thought she wanted it for her dressing room, but she took the TV right home.'' [1]

Howard Storm the show's director recalls at length the issues that were had on set. "Raquel Welch was any director’s nightmare,” according to Storm.[2]

"The first day, we do the read-through. Raquel is on my right and the two girls are on her right. After the read through, we dismiss everybody but the star and then we aks, "Do you have any questions?" Present are Bruce Johnson and Dale McRaven, who are the Exec Producers, Garry Marshall, Pam Dawber, Robin, Raquel and me. Raquel says, 'Yes. Who are the girls that are going to play my lieutenants?' I tell her 'The two girls who just read with you'. She says 'Oh I didn't notice them.' I ask 'Anything else, Raquel?' She says 'Yes my entrance doesn't work. They can't come in before me. I have to come in first.' I tell her, 'But Raquel, if you come in first.' I tell her, 'But Raquel, if you come in first and they come in after you, they're going to pull the eye away from. The idea is that one girl comes, walks downstage left, poses and, and the audience knows that's not you. There's anticipation. The other girl comes in, walks downstage right, poses. No, that's not you. And then you enter and you're center stage and there you are, flanked by your two lieutenants!' Raquel says 'No, they can't come in before me, but I have an idea. Supposing they wear dog masks and I lead them in leashes.'" [3]

Storm recalls how this led to a direct issue with Pam Dawber, "While we're rehearsing, she's still pushing for dog masks, but we're not going to do that. Robin tells her, 'the entrance is really good as it stands. Its exciting.'" Robin was trying to talk her around to their idea as having the other girls playing her Lieutenants come in after her, would take focus away from her (the opposite of what Welch was actually going for). As Robin was trying to explain it to her. Pam who was with him says “You know, Raquel, Robin is right.” "Raquel steps in front of Pam, blocking her off from Robin, saying, “Honey, please.” Then she turns her back on Pam and continues talking to Robin" [2][3]

“Pam made a fist and made believe she was hitting [Raquel Welch] in the back of the head, and walked away,” says Storm. After that, “Pam would do that every time she came on stage. She’d sneak up behind Raquel, and make believe she was punching her in the head." [2][3]

"Raquel," he recalled, "has her fiancé with her, a Frenchman named Andre Weinfeld who has worked in French TV. He stands behind me and every time I give her a note, I see her look past me to see what Andre thinks. After awhile, I start to spin around really fast to catch him giving her either a nod or a shake of the head. One day I tell her, 'Raquel, I need you a little closer to Robin for the two-shot. You realize that's one of the most brilliant notes a director has ever given an actress.' She says, 'What are you talking about?' I say, 'I know it's great because Andre agreed with me,' and I walk away. The fight ends in a split decision. Raquel gets to make her entrance before the two girls, but we nix the dog masks."[3]

References[]

  1. Garry Marshall - "My Happy Days in Hollywood: A Memoir" pp. 106 (2012).
  2. 2.0 2.1 2.2 Mork & Mindy Was One Of The Most Unlikely Miracles.
  3. 3.0 3.1 3.2 3.3 The Imperfect Storm:From Henry Street to Hollywood - Chapter 22.